2010 - 2011 Releases

PROFESSIONAL EDITIONS – GRADE 5. £42.85 each

Groovin’ HighJohn “Dizzy” Gillespie/ arr. John Wasson Written for and recorded by the U.S. Air Force Airmen of Note, Joe Jackson director, John Wasson has created a stunning and unique setting of this long-standing jazz classic. The chart is filled with twists, turns and blazing ensemble passages, and also features solo space for two alto saxes (optional alto sax and trumpet). For the mature band, here is a real showstopper.
Young and Foolish(Piano Feature) Albert Hague and Arnold B. Horwitt/ arr. Frank Mantooth Available again, here is Frank Mantooth’s classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrangement by the recognized master of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional, and the piano part is completely voiced out.
La FiestaChick Corea/arr. Michael Philip Mossman Here is a sizzling Afro-Cuban version of this Chick Corea classic that is sure to be an impressive addition to any program for mature bands. Perfect as a feature for your pianist, but the flexible solo section allows other players to be featured as well.
All the Things You AreJerome Kern and Oscar Hammerstein II/arr. Mark Taylor If you’re looking for a flagwaver that’ll set the audience on the edge of their seats, look no further! Mark Taylor pulls out all the stops with a chart that’s full of great counterpoint, powerful ensemble work, and independent combo settings within the full ensemble context. Includes solos for alto sax and trumpet.
Attitude DanceStephen Kupka and Emilio Castillo/arr. Mark Taylor Celebrating more than 40 years of funk and soul, the unmistakable sound of Tower of Power still sounds as fresh and impressive as ever. Mark’s chart on this hot tune features the blazing horn lines and driving groove of the original. 

CLAYTON-HAMILTON JAZZ ORCHESTRA – GRADE 5. £42.85 each
Since I Fell for You Buddy Johnson/arr. John Clayton Recorded on the Clayton-Hamilton Jazz Orchestra CD Explosive!, this dynamic and swingin’ setting of the standard Since I Fell for You was designed to showcase master vibraphonist Milt Jackson (heard on this excerpt). Also featured is solo space for tenor sax and piano, plus strategically positioned explosive support from the full ensemble. A piano or other soloist could be used in place of vibes if desired.
15 minutes lateJohn Clayton John Clayton credits stylistic influences from Quincy Jones and Billy Byers on this swinging minor blues. Utilizing a wide dynamic range, subtleties in the rhythm section, and variations in texture from just a few instruments to the full-out ensemble, John has created a marvelously appealing and effective concert or festival piece. Recorded by the CHJO on Heart and Soul.

PROFESSIONAL EDITIONS FOR VOCAL SOLO – GRADE 5. £42.85 each
For All We Know (Key: G, Ab) J. Fred Coots and Sam M. Lewis/ arr. John Clayton As performed by Carmen McRae (including the spoken intro), here is John Clayton’s sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangement as the vocal solo. (Requires woodwind doubles on flute, clarinets and bass clarinet.
Do nothin’ Till You Hear from me(Key: F) Duke Ellington and Bob Russell/arr. John Clayton Adapted from the arrangement that John Clayton did for Dianne Reeves and the WDR radio big band in Cologne, Germany, here is a moderately slow and sultry swing version of the Duke Ellington favorite. According to John, “it’s about grooving and having fun.”

VOCAL SOLO WITH JAZZ ENSEMBLE – GRADE 4. £35.71 each

Sway (Quien Sera)(Key: Ami, Bbmi) Norman Gimbel and Pablo Beltran Ruiz/ arr. Mark Taylor Recorded most recently by Michael Bublé, here is a smooth arrangement of this appealing Latin tune for vocal soloist (or tenor sax). The instrumental section features the saxes answered by the brass. A natural-sounding feature for any vocalist.
Bewitched(Key: F) Richard Rodgers and Lorenz Hart/arr. Mark Taylor This Rodgers and Hart standard has been recorded countless times and remains a popular choice for singers and instrumentalists alike. Mark’s lush setting can also be used as a tenor sax feature and includes a brief double-time swing section.
Relax max(Key: Bb, C)Al Frisch and Sid Wayne/arr. Rick Stitzel Most famously recorded by Dinah Washington and featured recently in TV commercials, here is a unique feature for vocalist (or tenor sax) that is sure to be a hit at any concert. Guaranteed fun!
Send in the Clowns(Key: Eb) Stephen Sondheim/arr. Jerry Nowak From Stephen Sondheim’s A Little Night Music, here is one of the all-time favorite ballads. With sensitive lyrics and a superb melodic treatment, this is sure to be a hit at any performance.

MINGUS BIG BANDS – GRADE 5. £42.85 each
Authentic versions as performed and recorded by the “Mingus Big Band” Charles Mingus.
Moanin’Charles Mingus/arr. Sy Johnson This up-tempo swinger has become the signature tune for the Mingus Big Band. It opens with a free-wheeling baritone sax solo and features raucous ensemble passages and group improvisations. You won’t find this chart on any easy-listening radio stations!
Goodbye Pork Pie Hat Charles Mingus/arr. Sy Johnson This is probably Charles Mingus’ best-known composition. Sy Johnson’s updated chart is the authentic version as performed by the Mingus Big Band on the CD Blues and Politics.   

SIMPLY MINGUS – GRADE 4. £35.71 each
Creative arrangements featuring the music of jazz legend Charles Mingus • Includes written out piano voicings and bass lines • Solo sections include written samples and optional soli features • Moderate brass ranges • Optional parts included for flute, clarinet and F horn.
Boogie Stop ShuffleCharles Mingus/arr. Andrew Homzy This catchy riff-based tune uses blues changes, and you can make it as easy or as difficult as you like, depending on the tempo you choose! Solos (or soli) are for sax as well as piano and drums. A wonderful introduction to the exciting music of Charles Mingus, skillfully adapted by Andrew Homzy.
Better Get Hit in Your Soul  Charles Mingus/arr. Andrew Homzy Written in a fast 3/4, this gospel-inspired burner is as fun to play as it is to listen to. There is great interplay between sections of the band as layers of sound move in and out. Also included are hand claps and some “play any note you want” opportunities to really liven things up. The flexible solo section allows you to customize this to fit the strengths of your own band.  

JAZZ ENSEMBLE LIBRARY – GRADE 4
High and FlightyHank Mobley/arr. Mark Taylor Written in a medium bop style, here’s a terrific arrangement of the Hank Mobley standard that features trumpet and tenor on the head (and solos), small group scoring on the bridge, a sax soli, and marvelous full ensemble figures throughout. A joyful, up-tempo romp!
Human natureJohn Bettis and Steve Porcaro/arr. Mike Tomaro Recorded by Michael Jackson on Thriller, this distinctive laidback hit has been recorded by artists ranging from Boyz II Men to David Benoit to Miles Davis. Mike Tomaro’s stylized version combines a smooth rock feel with tenor and trombone featured on the melody and for solos. The ensemble counterlines and background figures are beautifully constructed. More than just a “pop” tune, this chart will command attention on any program.
Ginger bread boyJimmy Heath/arr. Mike Tomaro Written in a funky “second line” New Orleans groove, the familiar riff-like melody is traded between sections of the band. There is ample solo space for tenor and trumpet, as well as a display of exceptional writing for the full ensemble.
Una masKenny Dorham/ arr. Michael Philip Mossman The trumpet section gets the spotlight for much of this Kenny Dorham standard. Written in a Latin “boogaloo” style, there are still lots of interesting parts for all sections, plus solos for tenor and trumpet. Portrait of Winnette(Flugelhorn Feature) Mark Taylor Composed in a light Bossa style, this is a great sounding feature for flugelhorn. Utilizing a wealth of orchestration colors in the accompaniment and a comfortable medium tempo, this is a terrific choice as a mellow moment for contest or festival.
Soul SacrificeCarlos Santana/ arr. Michael Philip Mossman Made famous at Woodstock back in 1969, Soul Sacrifice helped to put the group Santana in the mainstream of popular music. Interspersed with hot figures for the saxes and punches for the brass, you can use this exciting arrangement to feature your drummer and/or conga player. Also included are solos for alto sax and guitar.
DjangoJohn Lewis/arr. Mike Tomaro Feature vibes or piano on this terrific arrangement of the classic jazz standard by John Lewis. The solo section features a doubletime swing section, and there is a sax soli as well. Great scoring for the entire ensemble!
North AfricaChick Corea/arr. Mike Tomaro  Using the trademark samba style that Chick Corea became known for, here is his composition North Africa in an outstanding interpretation by Mike Tomaro. The opening section features a small group followed by a piano statement of the main theme. From there the chart builds nicely with the effective use of every section of the ensemble. A tenor sax solo is also featured.
Sanctified BluesWynton Marsalis/ arr. Michael Philip Mossman  Composed by Wynton Marsalis in a distinctive New Orleans swing style, here is a joyous medium tempo romp that features a trombone and alto sax trading solo statements over a swingin’ tutti ensemble. This unique and appealing number is a perfect change of pace for contest or festival.
Little Red-Haired GirlWynton Marsalis/arr. Michael Philip Mossman  Composed by jazz master Wynton Marsalis and arranged for full jazz ensemble by Michael Philip Mossman, this is an attractive chart featuring muted trumpets on the melody with answering countermelodies in the saxes and bones. The overall feel is light and breezy, with solos included for trumpet and tenor.
Josie Walter Becker and Donald Fagen/arr. Mike Tomaro With more than a nod to the original recording by Steely Dan, Mike takes this tune to new heights in his funky and stylized version. Featuring a tenor and trombone duet at the top, this chart is also a great feature vehicle for guitar. However, the flexible solo section allows you to feature just about any instrument you choose.
Freddie FreeloaderMiles Davis/arr. Les Hooper Originally recorded on the Miles Davis landmark recording Kind of Blue, here is a swingin’ and updated take on this all-time blues favorite. Tasty full ensemble interludes surround solo space for alto sax, trumpet and bass. This chart is a perfect choice for festivals or contests.
Blackbird John Lennon and Paul McCartney/ arr. Mike Tomaro Perhaps one of the Beatles’ lesser known tunes, Blackbird remains one of their most creative and memorable. Mike Tomaro’s smooth setting uses a blend of light funk along with a brief samba section to create a truly outstanding effect. The theme is stated simply in the beginning on trumpet, followed by an array of orchestrational textures and harmonies.
Sun Goddess Maurice White and Jon Lind/arr. Mike Tomaro Recorded by Earth, Wind & Fire, here is one of their classic tunes arranged in a medium funk style for jazz ensemble. Trombones take the lead in the beginning followed by solos for piano and alto sax. There is plenty of solid and effective writing for the full ensemble as well.
In a Sentimental moodDuke Ellington, Irving Mills and Manny Kurtz/ arr. Mike Tomaro Mike Tomaro has beautifully adapted this well-known Ellington classic to feature tenor sax. With flowing melodies and a lush orchestration, this is the perfect ballad for contests or festivals.
Man in the mirrorGlen Ballard and Siedah Garrett/arr. Roger Holmes Opening softly and featuring an alto sax soloist, this chart builds intensity steadily throughout, leading to the powerful final chorus. This is a very effective arrangement of one of Michael Jackson’s best-known and most enduring hits.  

LITTLE BIG BAND SERIES – GRADE 3-4. £32.14 each
Scored for 6 horns (3 saxes, 2 trumpets, trombone) plus rhythm section • Includes additional optional parts for alto, tenor and trombone • Perfect for smaller programs, or additional ensemble opportunities
Fantasy Maurice White, Verdine White and Eddie Del Barrio/ arr. Mark Taylor One of the most dynamic hits from Earth, Wind & Fire, here is a great sounding arrangement creatively scored in a small group setting. Tenor and trombone are featured on the melody along with a funky baritone sax line. Also includes a solo for tenor sax. (Grade 4)
UndecidedCharles Shavers and Sid Robin/arr. Mike Tomaro Trombone and baritone sax are featured at the top in this nicely stylized setting. Written in an up-tempo swing style and skillfully contrasting the brass and sax sections, this effective arrangement sounds incredibly full for having just six horn parts. (Grade 4)
Spain Chick Corea/arr. John La Barbera John La Barbera has taken his well-known version of Chick Corea’s Spain and done a great job of adapting it for the small band format. Certainly an exciting offering for mature players in an arrangement for six horns plus rhythm. (Grade 4)
All bluesMiles Davis/arr. Mike Tomaro One of the most famous jazz waltzes ever written, this small band setting of Miles Davis’ classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section is also featured. (Grade 4)
St. ThomasSonny Rollins/arr. Mark Taylor Plenty of solid tutti ensemble scoring is featured in this arrangement for small group of Sonny Rollins’ familiar Latin standard. The solo section can be opened up for any player, and a tasty unison ensemble chorus follows. (Grade 3)
How High the moonMorgan Lewis and Nancy Hamilton/arr. Mark TaylorUsing a wide variety of scoring styles, this great-sounding arrangement takes full advantage of the six-horn format. There is solo space for tenor and trumpet along with nicely scored full ensemble passages. A terrific rendition of this classic tune. (Grade 4)
Tiger of San PedroJohn La Barbera Originally recorded by the Bill Watrous big band back in the ’70s, John La Barbera brings us this sizzling version of his classic sambastyle composition adapted for six horns. (Grade 4)  

JAZZ CLASSICS FOR THE YOUNG ENSEMBLE – GRADE 3. £32.14 each
Down for DoubleFreddie Green/arr. Rick Stitzel From the acclaimed guitarist for the Count Basie Orchestra, Freddie Green, here is his medium swing classic Down for Double in an excellent arrangement for young players. With the saxes taking the lead complemented by figures from the brass, and short solos for tenor and trumpet, this chart swings hard from beginning to end.
Come Fly with meJames Van Heusen and Sammy Cahn/arr. John Berry Most notably recorded by Frank Sinatra, here is this familiar standard arranged effectively for younger bands. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for listeners and players alike.
Afternoon in ParisJohn Lewis/arr. Mark Taylor John Lewis (composer, pianist, and founder of the acclaimed Modern Jazz Quartet) penned Afternoon in Paris in the ’50s and it has remained a jazz standard ever since. This nicely crafted version for younger bands opens with a small group on the head and drums on brushes. Solos for trumpet and tenor follow, along with full ensemble statements.
Cool (fromWest Side Story) Leonard Bernstein and Stephen Sondheim/ arr. Mark Taylor From one of the most famous musicals of all time, here is the swingin’ and aptly titled Cool. Mark’s version for young players remains true to the original but adds a touch of contemporary flair with the melody passed from section to section and solo space for trumpet. Timeless!
Moon RiverHenry Mancini and Johnny Mercer/arr. Mark TaylorUsing a Basie-style swing treatment and written in 4/4 rather than the traditional 3/4, here is a great-sounding chart from Mark Taylor that will go together quickly. All sections get a chance to shine on this one!
Send in the ClownsStephen Sondheim/arr. Dave Barduhn Beautifully adapted for younger groups, here is the classic arrangement by Dave Barduhn first published in 1983. Featuring a piano soloist throughout, plus lush scoring for the ensemble, this chart stands the test of time and is a wonderful addition for contest or festival.
Autumn leavesarr. Peter Blair Here is a medium swing version of this marvelous often-played standard. Peter Blair’s chart opens with a duet of alto and trumpet with ensemble punches. The saxes are featured on a chorus and there is a written or ad lib solo for piano. Great sounding chart!
Doxy Sonny Rollins/arr. Mark Taylor Jazz legend Sonny Rollins has given us so many fabulous jazz standards over the years. Mark Taylor has adapted one of Sonny’s best tunes in this medium tempo chart for younger bands.
Straight no ChaserThelonious Monk/arr. Mark Taylor Required literature for the noble study of Monk, this arrangement of a jazz classic will delight young bands as well as experienced groups. You can play it as fast or slow as you like, and it will sound great either way.  

YOUNG JAZZ ENSEMBLE – GRADE 3. £32.14 each
Don’t Stop believin’Steve Perry, Neal Schon and Jonathan Cain/arr. Paul Murtha From the group Journey, this power ballad from 1981 has enjoyed renewed popularity thanks to the hit TV series Glee, as well as multiple uses in film and even on Broadway. Sure to be a hit again!
I Gotta Feelingarr. Paul Murtha From the acclaimed CD The E.N.D by the Black Eyed Peas, this mega-hit was number one on the charts for more than three months, and was also nominated for two Grammy awards. Featuring a driving groove and a familiar melody, here is a solid arrangement for jazz ensemble sure to bring a contemporary edge to your next concert.
Rock with YouRod Temperton/arr. Roger Holmes From the acclaimed album Off the Wall, this familiar rock hit was tops on the charts for four weeks in 1979 and helped establish Michael Jackson as a creative force in pop music. This arrangement features a great groove and distinctive horn riffs, along with brief solos for trumpet and tenor sax.
You belong with meTaylor Swift and Liz Rose/arr. Paul Murtha From country superstar Taylor Swift, here is her upbeat number one hit in an effective version for jazz ensemble. With saxes on the verse and the brass solidly stating the chorus, this one is sure to be a hit with all audiences. No solos are required.
Sway (Quien Sera)Norman Gimbel and Pablo Beltran Ruiz/arr. John Berry This Latin favorite has received renewed attention thanks to a recording by Michael Bublé. Here is a version for younger players that gives all sections a chance to shine. Includes brief solos for trumpet and alto sax.
Jump, Jive an’ WailLouis Prima/arr. Roger Holmes This hot swing tune from the legendary Louis Prima is featured on the jitterbuggin’ Gap commercial and is also on the CD The Dirty Dozen by the Brian Setzer Orchestra. Swing is back and this tune is helping to lead the way!
Brick Housearr. Paul Murtha It is absolutely impossible to find a funkier tune than this R&B hit from the ’70s courtesy of the Commodores. Paul’s chart has it all, from the trademark bass riff to the ensemble punches and melodic hooks. Bring down the house as you groove on this one!  

EASY JAZZ ENSEMBLE – GRADE 2. £28.57
New titles all include optional parts for flute, clarinet, F horn and tuba • Written for full band, playable with 4 saxes, 3 trumpets, 3 trombones, rhythm section • Full-length recordings included with each arrangement
Pick Yourself upJerome Kern and Dorothy Fields/ arr. Rick Stitzel Beautifully scored with plenty of tutti rhythms and a comfortable moderate tempo, here is a perfect chart for getting your ensemble to swing! The melody is passed from section to section, and there is also a short sax soli and full ensemble shout included. Concise and appealing, this familiar standard will sound great with inexperienced bands and requires no solos.
Twist and ShoutBert Russell and Phil Medley/arr. Roger Holmes This rock hit was released by the Beatles in 1964, and famously featured in the movie Ferris Bueller’s Day Off. Here is a hardhitting and energetic version arranged for young players.
Four Miles Davis/arr. John Berry The saxes do most of the heavy lifting on this easy version of the Miles Davis standard. In addition, there is a short sax soli and a written or ad lib solo for trumpet. This is a wonderful introduction for young players to one of the most important jazz figures of the 20th century.
Never Can Say GoodbyeClifton Davis/arr. John Berry Here’s the catchy Motown hit recorded by the Jackson 5 in a solid chart for young players. A solo alto sax is featured on the melody, but there is also plenty of solid tutti scoring throughout.
Sweet CarolineNeil Diamond/arr. Rick Stitzel Even before the TV series Glee, this Neil Diamond classic, first recorded in 1969, had proven its popularity and staying power. Here is a solid yet easy treatment for jazz ensemble that requires no solos. Sure to be a favorite with students and parents alike.
I Wan’na be like You (The monkey Song)  Richard M. Sherman and Robert B. Sherman/ arr. John Berry From Disney’s The Jungle Book and more recently recorded by artists such as Big Bad Voodoo Daddy, Los Lobos and Smash Mouth, this lively song remains popular with all age groups. Here is an easy chart written in a light Latin style. The melody is passed around to various sections of the band, and there are short solos for trumpet and alto sax.
Man in the mirrorGlen Ballard and Siedah Garrett/arr. Paul Jennings Recorded by Michael Jackson, this is one of the signature pop hits of the ’80s. Skillfully arranged for young jazz ensemble to feature every section on the melody at some point, this chart will go together quickly and requires no ad lib. solos.
All bluesMiles Davis/arr. Michael Sweeney Here’s the classic Miles Davis tune from the landmark album Kind of Blue carefully arranged for young groups. Written in 3/4 for ease of reading, Mike has kept the feel and sound of the original in this excellent setting. FrankensteinEdgar Winter/arr. Paul Murtha Rock classic from 1973 and the Edgar Winter Group! Carefully adapted for younger groups with reasonable ranges and solid scoring, your players will have a blast with this one! Also includes written or ad lib. solos for alto and/or trumpet. Rock on!  

DISCOVERY JAZZ – GRADE 1 ½. £25.00 each
New titles all include optional parts for flute, clarinet, F horn and tuba • Written for full band, playable with 3 saxes, 2 trumpets, 1 trombone, rhythm section • Full-length recordings included with each arrangement
Get backJohn Lennon and Paul McCartney/ arr. Michael Sweeney Recorded by the Beatles on Let It Be and notably performed on the roof of Apple Studios in London, here is a rockin’ version for very young jazz bands.
The Way You look TonightJerome Kern and Dorothy Fields/arr. Rick StitzelFrom the well-known and often-recorded Jerome Kern songbook, here is a very easy version of this familiar standard. Rick’s moderately paced swing arrangement will sound great with beginning players and go together quickly.
I’ll be ThereBerry Gordy, Hal Davis, Willie Hutch and Bob West/arr. Paul Murtha Recorded by the Jackson 5, this was a number one hit in 1970 and again in 1992 recorded by Mariah Carey. This easy ballad is a nice change of pace for beginning bands that everyone can enjoy.
Blue ’n’ moody Michael Sweeney Utilizing the Dorian mode and a bluesy melody, here is a catchy original perfect for teaching swing. This one also works great for beginning improvisers since the solo section uses only two chords (two scales). Sure to become a favorite with your band
Don’t Stop believin’ Steve Perry, Neal Schon and Jonathan Cain/arr. John Berry Here’s the rock classic from the group Journey, and made famous recently in the TV series Glee, in a terrific easy chart that will go together quickly. Trumpets are featured on the melody with plenty of solid full band accompaniment.
You Raise me up Brendan Graham and Rolf Lovland/arr. John Berry Most famously recorded by Josh Groban, here is a nicely scored version for beginning jazz groups that allows each section a chance to play the melody at some point. The arrangement builds to a modulation followed by a powerful statement from the full ensemble. A marvelous change of pace number for any group.
Baby, It’s Cold Outside Frank Loesser/arr. Rick Stitzel This well-known standard is usually performed as a duet and has been recorded countless times over the years, and notably in the holiday movie favorite Elf starring Will Ferrell. This charming arrangement for beginning players features the saxes and trumpets in the answering phrases. No solos are required, however an alto soloist could be used in one of the soli sections. This will sound great with limited rehearsal time.
Iron man arr. Michael Sweeney Who would have figured you could play Black Sabbath with a jazz ensemble? This easy arrangement really makes it work with a solid rock foundation and a few harmonic twists along the way. The flexible solo section includes sample solos for all instruments.
Evil Ways Sonny Henry/arr. John Berry One of the great rock grooves of all time from the group Santana. This easy chart features solid ensemble writing, and the 2-chord vamp makes it easy for soloing!  

ESSENTIAL ELEMENTS FOR JAZZ – GRADE 1-2. £28.57 each
Written for full band, playable with 3 saxes, 2 trumpets, 1 trombones, rhythm section • Each arrangement includes optional parts for flute, clarinet, F horn and tuba • Includes teaching unit with exercises for melody, rhythm, and improvisation • Full-length recordings included with each arrangement
Mister Cool Mike Steinel This Basie-style swinger is a great tool for teaching balance, blend, dynamics and swing feel. Solo space is based on a B-flat scale and is very accessible to beginning players.
Basin Street blues Spencer Williams/ arr. Michael Sweeney Introduce your beginning group to the concept of “call and response” (so common in early jazz) with this carefully written, easy arrangement of this well-known jazz standard. Like all titles in the Essential Elements Jazz Ensemble series, it includes exercises to help teach style, as well as sample written solos.  

JAZZ COMBO PAKS – GRADE 3. £32.14 each
Jazz Combo Pak #28 (Duke Ellington) arr. Frank Mantooth Includes: C-Jam Blues • Caravan • Do Nothin’ Till You Hear from Me • In a Mellow Tone.
Jazz Combo Pak #32 (Wayne Shorter) 39 arr. Frank Mantooth Includes: Footprints • Infant Eyes • Speak No Evil • Yes or No.  

EASY JAZZ COMBOS – GRADE 2. £17.85 each
All solo sections include sample written solos and chords • All rhythm section parts completely written out • Scored for 4 Horns with flexible instrumentation options Part 1 – Trumpet or Alto Sax Part 2 – Alto Sax or Trumpet Part 3 – Tenor Sax, Alto Sax, or Trombone Part 4 – Trombone or Tenor Sax
Fly me to the moon Bart Howard/arr. Roger Holmes Great medium swing feel for combo, nicely voiced.
A nightingale Sang in berkeley Square Manning Sherwin and Eric Maschwitz/arr. John Berry One of the best jazz ballads ever written! A marvelous down tune skillfully adapted for young combos.

21 April 2011